Ip Yuk-Yiu is a filmmaker, media artist, art educator and independent curator. His works, ranging from experimental films to live video performances and media installations, have been showcased extensively at international festivals including European Media Art Festival (Germany), New York Film Festival (USA), the Image Festival (Canada), VideoBrasil (Brazil), Transmediale (Germany), Hong Kong International Film Festival (Hong Kong) and Yamagato International Documentary Film Festival (Japan). His most recent solo program was featured at Experimental Film & Video Festival in Seoul (EXIS) in 2012. He has lectured extensively on film, video and media art. Currently he is Associate Professor and the Master of Fine Arts Program Leader at the School of Creative Media, City University of Hong Kong. His recent works explore performance-based and computational forms of cinema.
HD / color / stereo / 15 min. 30 sec or loop / 16:9 / 2012
ANOTHER DAY OF DEPRESSION IN KOWLOON (九龍百哀圖) is a virtual study and a digital portrait of Hong Kong as seen through the lens of contemporary popular culture incarnated in the forms of video game and screen media.
Using the map “KOWLOON” from the popular video game CALL OF DUTY: BLACK OPS (2010) as a field of study, the filmmaker conducted a yearlong virtual fieldwork: playing, observing and documenting “Hong Kong” as simulated in the video game world.
ANOTHER turns the violent first-person shooter into a series of vacant, uncanny and yet meditative tableaux, unearthing a formal poetry that is often overlooked during the original gameplay. It combines methodologies from both the observational and assemblage film traditions in raising questions about cultural representations in contemporary popular media, while at the same time creating evocative metaphors for a post-colonial Hong Kong through the reworking of media materials.
ANOTHER is a “found” landscape film, a ballad for a post-colonial Hong Kong seemingly trapped in endless downpours of murky political dismal.
HD / color / stereo / 11 min. / 16:9 / 2013
Evoking imagery and memories of the atomic age, THE PLASTIC GARDEN summons the ghost of a forgotten future, the grim fatality of a total nuclear war that held the world hostage half a century ago.
Hacking and appropriating the popular video game CALL OF DUTY: BLACK OPS (2010), THE PLASTIC GARDEN revisited the dark vision and symbolism of the nuclear drama that seems on the one hand remotely archaic, but hauntingly close and familiar on the other. The restaged scenes, devoid of bloody shootouts, are equally if not more lethal and violent than in the original game. THE PLASTIC GARDEN unravels a forgotten future that felt like an endless nightmare spinning loose, or else a collective death wish that comes to define the tragic essence of modern socio-political reality.